William Keith (American (born Scotland), 1838-1911)
After California Rain, ca. 1890s
Oil on canvas 30 in. x 40 in. (76.2 cm x 101.6 cm)
Crocker Art Museum, gift of Senator and Mrs. Daniel Boatwright2003.14
William Keith was born in the small village of Oldmeldrum, Aberdeenshire, Scotland. At twenty-three, he moved with his mother to New York where, in the summer of 1856, he apprenticed as a wood engraver. He put his skills to use at Harper & Brothers publishers, staying with the company until 1859 when he came west and settled in San Francisco. At first, he did commercial work but soon began to look toward becoming a fullfledged professional artist. In 1863, he hired still-life painter Samuel Marsden Brookes to give him lessons in oil painting.
Keith began exhibiting watercolors in 1866, and these works drew favorable critical comment. The next year he began painting in oil. Still largely self-taught, he planned a trip to the East and Europe for further training. He studied in Düsseldorf with landscape painters Andreas Achenbach and Albert Flamm and then traveled to Paris.
Keith left Europe on the eve of the Franco-Prussian War. He spent most of 1871 in Maine and then opened a studio in Boston with the German artist William Hahn, whom he had met in Düsseldorf. He returned to San Francisco in 1872 and became actively involved in the city’s art scene. His paintings during this period included depictions of the Sierra Nevada, Yosemite Valley, and other notable sites, which he explored in the company of naturalist John Muir. He was particularly fond of painting Marin County’s most significant topographic feature, Mount Tamalpais, depicting it even when he was not in California.1
As his career progressed, Keith’s landscapes became increasingly domesticated and darkly spiritual, manifesting changing trends in art as well as his Swedenborgian faith. “When I began to paint, I could not get mountains high enough nor sunsets gorgeous enough for my brush and colors,” he explained. “After a considerable number of years experience, I am contented with very slight material—a clump of trees, a hillside and sky.”2
1. Keith is known to have produced a commissioned Tamalpais painting while in Düsseldorf and to have shown another view of the mountain in Boston in the spring of 1872. The Crocker’s circa 1871 painting may have been painted in the East.
2. Lecture delivered to the Longfellow Society at the University of California, 1888, quoted in Raymond L. Wilson, William Keith: A Changing Vision (Fresno: Fresno Art Center, 1984).